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This article was originally published in The Bead Bugle

The Beginnings of Polymer Clay

At the end of the 1800's, science and manufacturing were becoming very good friends indeed, with the artist coming in for some wonderful new materials as an afterthought. The plastics that we think of as being very modern marvels had their industrial beginnings then, with such entrepreneurial chemists as Robert Bakelund. He was searching for a laboratory style version of shellac, a very popular finish made using the body of the laq beetle.

Used for smooth wooden floors (such as bowling alleys the rage at the time) as well as part of the finish on lightweight "lacquered" furniture and decorative items, demand for the product far outweighed the supply. The unexpected results he came up with hardened as it set up and cooled, and became a product he patented as "Bakelite".

His work in creating polymers blazed the way for modern versions of thermally set plastics. When people make disparaging remarks about the value of "plastics" as a medium, they are obviously unaware of the sturdy and collectable nature of Bakelight, whether in the form of billiard balls, classic auto parts, radios, buttons, jewelry-or BEADS!

Just as modern acrylic paints were once given a suspicious greeting by the Art world that has now embraced it as a medium for fine work, so plastics are now truly beginning to come into their own-after more than a hundred years! Books available through Amazon.com such as "The Bakelite Jewelry Book" are a treat to the eyes while also containing fascinating information about these beads, buttons and baubles.

Embraced with enthusiasm by jewelry and fashion designers, Bakelite even had kits available at one time for home use, but this was discontinued due to the flammable nature of the phenol based plastics.

Today's versions are no longer flammable due to a different chemical base, and are certified as nontoxic and safe for use by children and home artists. Available in a wide array of intermixable colors, today's polymer clays are an incredible medium that welcomes the beginning creative experimenter as well as the proficient professional artist. Popular brands such as FIMO began as a medium for doll and miniature making in Europe in the 1940's to help replace manufacturing shortages caused by wartime.

Other brands such as Sculpey, Premo, Cernit, Modello, and Kato Polyclay are now in the hands of artists all over the world, who create amazing works of art ranging from the very tiniest of miniatures and beads to furniture and pieces of much larger scope.

Using millefiore techniques, colored polymer clays have been placed to form the patterns that decorate these Geisha styled beads. Formed and baked around ping pong balls, they require extra ventilation for safe baking, but make a striking visual impact! Smaller beads make use of the reduced clay "canes" for the detailed embellishments.

This mermaid's head, hands and scales are made of polymer clay. Each scale was cut using a round Kemper tool and then sliced and affixed in place.

I also used it to create the faux "seashells" and "coral" beads of her cascading necklace.

Instructions for making fullsize faux seashells and coral are given in "Create a Polymer Clay Impression".

New techniques and applications are being uncovered and shared at a staggering rate by those who find this very malleable, truly "plastic" medium almost irresistible.

After over twenty years of intensive work using polymer clays, I am still finding new things that can be done with it all the time. In upcoming columns that will alternate with the series brought to you by the very talented Mitchell Sisters, please join me in exploring the potentials of polymer clay.

With well known and up-and-coming artist interviews, reviews of products, techniques, and tools as well as projects, we'll take an on-going look at this astoundingly versatile medium.

Click here to view more wonderful bead and polymer clay articles online at The Bead Bugle.


Sarajane Helm is an artist and author who resides with her family and fellow artistic collaborators in the foothills of the Rocky Mountains in Colorado. She currently has two books about polymer clay in publication, "Create A Polymer Clay Impression" and "Celebrations With Polymer Clay" through Krause Publications. She also writes a column for Belle Armoire Magazine and creates a line of beads, dolls, and wearable art.


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